#I gotta figure out when to draw all of them because there are a lot!
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atomicdela-au · 1 year ago
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Hey! I’m back again with another quick post.
This is regarding to the poll that I made about a week ago. Turns out the art option won so I gotta quickly make those now XD
But college has holding me up and I am going to focus on my final week here before my winter break. Until I have the time and I reach my break I’ll start working on them right away.
Anyway, I know this is such a small post but I thought to acknowledge the final results.
See you in the next one!
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savanir · 5 months ago
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DP x DC prompt [11]
Vlad is planning something big, something powerful and he’s using his wealth and connections to make it happen. Danny realizes that his parents' tech and his friend's aid isn’t going to cut it, and brute forcing the matter as Phantom is just going to ruin his reputation permanently.
What he needs is another different fruitloop, and thankfully for him the world is pretty damn full of them.
but he needs a very specific fruitloop, the one with a big company, advanced high end tech, so much money they don’t really know what to do with it and preferably they gotta be an absent figure, because Danny is on a mission, he’s not looking to get a new parent (he has his own)
and after some searching he finds his guy
Oliver Queen
Now he just needs to get in on that, and he decides to do that by using what little he managed to remember from Vlad’s “you will be the heir of Dalv,co” rants and Sam’s ideas on environmentalism. cause Queen apparently cares a lot about giving back to the little guy.
Which is great! very important, even if his business kinda suffers from how he goes about it (but Danny can help with that! somehow! he’ll figure it out, can’t be that hard) 
We can’t all be Brucie Wayne, but we certainly can try.  
So anyway, shouldn’t be too hard, he’s got some history in the field of environment stuff what with the whole purple back gorilla thing.
and Ollie takes one good look at this smart enthusiastic black haired blue eyed teen and is like, “oh neat! my very own Tim Drake Wayne” and he just goes with it.
Danny’s hidden power of drawing in rich people is truly something to behold…
Oliver is more than happy to just let Danny do whatever he wants as long as it doesn’t break the law or look bad on him, and no drugs, he was very clear on that.
and Danny is like great, I can now work on undermining Vlad and ruin his plans!
but then… Dinah…
“Oliver Jonas Queen!”
oh shit, full named…
“You are not going to do a repeat of Roy!”
Dinah is very effective, and the whole thing starts small enough.
Oliver personally shows him around in the company, makes sure to introduce him to the important folks.
that evolves into occasionally checking up on him, making sure he takes the appropriate amount of breaks.
then he takes him to a baseball match, he had multiple tickets… would have been a waste to refuse.
Then Dinah insists he tags along for dinner in a restaurant (there were some others, it was actually not awkward at all somehow, quite nice really), this grows into dinner at the penthouse.
It's when Oliver expresses the desire to teach Danny archery, telling him there are a lot of things in the sport that are also applicable to business stuff that Danny comes to a sudden and violent realization.
He's being parented!
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buckysegan · 8 months ago
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With all my gratitude, hope and returned adoration - Part Two
Summary: John writes back to his friend from home and we hear from our friend across the way. John x She. Word Count: 1.2k. A/N: we are def rolling with some historical inaccuracies in regards to letters here but sue me. he deserves it. pstttt also should we name her? do you all want to send me random john prompts. my baby isn't ok and i'm not ok. Part one linked here. Part three linked here.
John was sure he wasn't sweating a normal amount as he looked down at the piece of paper that Buck had offered him. It had taken two whole days of questions from the man for Bucky to even decide that he was going to reply. He’d been offered the hope, what more could he ask of her. Could he ask more? There had been a return address on the letter which Buck had insisted was there for a reason and she had opened herself out for a reply from him but the Major couldn’t help but be unsure.
It was an odd feeling for him, before the war he hadn't been unsure of anything and since he’d been here? Well he hadn’t been sober enough to doubt anything that he had done. These days though Bucky felt like he doubted every single thing. The thing was, he wasn't sure that he could afford to doubt this, to look past the life line that had been offered to him. Not when each day he could feel his mind draw a little further toward the edge no matter how much he or Buck tried to keep it in check.
With a sigh he pulled the pen into his hand, eyes locked on the page for a moment before he began to scrawl.
Dear Friend From Home 
You’re gunna have to forgive me because I ain’t going to be as good as this as you are. I’ve written so many letters this war you would think that I’d have gotten a handle on it by now but I find myself at a loss when it comes to what to say to you. 
I think the first thing I got to say is thank you. I don’t know if the words I can put on paper are ever going to really tell you how much your letter meant to me. See I was a certain type of man that didn’t think much to pen pals. I figured that I’d be ok, you know, that with my boys I’d have what I needed to make it through the hard days but watching the letters for everyone else roll in has been harder than I thought it might. 
There are things that I can’t tell you cause I don’t know who might read these letters, and where I am I can’t get you no picture but I can tell you that my favorite dish is a meat and potato pie, simple I know but really I’m a simple hearty kind of guy. What makes me laugh, you asked? That’s kind of simple for me too, just good company, myself sometimes, Buck, he’s my best friend, he makes me laugh a lot. What makes you laugh? I’d like to know that. 
May I know where you are? I know that might be a big ask but you said I could ask anything I know and if I get out of here…we get some leave, I’d like to know where I need to ask for me leave to be. Then I can show you what I sound and look like and know that in return. 
If this letter doesn’t reach you for a while, know you’ve been with me the whole time. 
With all my gratitude, hope and returned adoration
Major John Egan 
“What if she doesn’t get it?” He found himself questioning quietly to Buck as he handed over the letter to make it out of camp. His best friend settled him with a soft look, one that always made Bucky feel like he had some worldly knowledge the rest of them had missed out on, that assured him everything was going to be alright. “You just gotta have hope she will John, she’ll get it.” 
With a huff Bucky nodded, pulling his hat on as he watched his letter vanish from his view all together. “Alright well I can’t sit here and wonder, I’m off to play baseball or something.”
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The letter that Bucky had so carefully handed over changed hands many more times, some fingers as rough as the pilots, some dirtier, some softer, but the last set of fingers to slide the letter from her post box had perfectly manicured fingers. Her flicking of her post was greedy as she looked for the same thing that she had every day since she’d posted her own letter.
At first, her hopes of finding what she was looking for had been unrealistic; she knew that, it hadn’t even been long enough for her letter to be received, let alone for him to get one back to her, then the other girls at the centre, they’d gotten letters back, notes, anything. That was when she had allowed her hope to return, for a moment at least. Days without anything had turned into weeks and then weeks had turned into months. Anything could have happened, that was what she tried to tell herself, he might not have gotten her letter, he might have thought it was weird and had chosen not to reply. That thought was enough to miff her, he could have at least said thank you. When she had decided no one could be that mean, her diminishing hope had turned to worry, what if he hadn't been able to receive her letter.
Flicking through each white envelope today, she almost missed it, how she didn't know because it was clearly different from the rest of them, maybe she hadn't wanted to look. "Not…" Trailing off she flicked back to the second to last letter, her eyes taking in the scrawling of her address, her eyes checking the postage before she was taring inside. "It's here, he wrote it's here." She called through the halls to the other girls that she lived with, all of which had been holding their breath with her. "Oh god I can't read it, what if he's telling me I was weird!" She cried, thrusting the unopened letter into the hands of her eager friend.
"Don't be dramatic, he's going to be throwing down his gratitude at you being a doll, you should have attached a picture with it I told you!" Meg beamed easily back at her, the same sense of reservation missing from her actions as she tore into the letter so that it could be read to the group. "Dear Friend From Home. You’re gunna have to forgive me because I ain’t going to be as good as this as you are. I’ve written so many letters this war you would think that I’d have gotten a handle on it by now but I find myself at a loss when it comes to what to say to you." That was enough, pulling the letter from Megs hands she was quick to scramble away from the group once more, locking herself into her room as re-read the opening line herself, the tears in her eyes only welling even further as she continued.
An ache in her chest formed as she read the words once more, taking in each strike of his pen where he had corrected himself or smudge from whatever he'd had on his fingers. The state of the letter was enough to make her wonder, but at least for now, she knew her friend was ok. He was alive, and he wanted to hear more from her. It couldn't have been normal, to feel this level of emotion for a man that she had never met, but she had found herself here regardless and in the middle of so much uncertainty, she wasn't going to question the pull she felt across the way to England.
Pushing from her bed she moved to her desk, paper pulled from her stationary pot, the quicker she could post this the quicker it could get to him.
"Dear Major Egan,
I'm delighted to hear I'm with you. I hope you know, that you've been with me too…"
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not-neverland06 · 6 months ago
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How About a Nuke?
Part VIII / Part IX
(Completed) Series Masterlist
Cooper Howard x fem!reader, The ghoul x fem!reader A/N: PLEASE READ, we have reached the end of their journey and I am so sad/happy/excited about it. I don’t even know how to feel honestly. I just want to thank everyone who has commented, messaged or reblogged this story. Your kind words and funny little depressed memes have been really uplifting for me. I was actually considering just giving up on this blog when I posted the first chapter. I haven’t had much inspiration lately or interaction I feel like, and you all have helped reignite that spark within me. Summary: There’s something keeping you tied to Cooper Howard, an invisible string wrapped around you both. You’ve fought against it as long as you could but he’s not gonna let you fight for much longer.
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It’s been a month and the bounty on her head gets bigger everyday. Normally the compound hires privately, they don’t like going through the agencies. He figures with Sylvie dead they’re struggling to find a new leader and they’re falling apart. Or they’re just desperate for her head on a stick. 
He sees her face everywhere, crudely drawn images of her varying in their accuracy. In some she has a hat like his on, in others her nose is the wrong shape, or her eyes are all wrong. No one seems to have a good grasp on who she is. Out of curiosity and a strange need to know she’s still alive, he’s asked around. 
There are different rumors as to where she’s hiding out. Some think she’s taken to hiding out in the caves near Filly. Anyone with half a brain knows that the area’s overrun by irradiated bears and other mutated freaks. 
There are those that say they’ve seen her wandering through the sands. Following that lead had led him nowhere. He doesn’t know where she is and it’s driving him insane. She’s like a constant itch in the back of his mind that he just can’t scratch. Days and nights are spent thinking about her and he hates it. 
He’s not sure what he’d do when he does find her. Whether he’d shoot her to repay the favor or just tie her up to keep her from leaving again. He’s conflicted on how he feels about her. He’s bothered that he feels anything towards her at all. And he knows that when she shot him, she was shooting to kill. 
She had no way of knowing that he would heal from that bullet. She’d watched him bleed out on the ground and left him for dead. He was impressed, as much as he wanted to be mad, he was almost proud in a way. 
Throughout their tumultuous lives and times together she’d always had to be guided by him. He’d shown her the ways of whatever world they were living in. She’d relied on him and he enjoyed it. The time had to come when eventually she wouldn’t need him anymore. 
It’s outside of Filly that he finds the most accurate poster of her so far. She looks like she did in their first movie together. A proper outlaw, wanted all across the Wastelands for her crimes against a bunch of sick fucks. If he could kill Sylvie again, he would. He’d kill all of them. 
Not that he’s condemning them because of what the compound’s doing. He’s dabbled in organ trade before, eaten people, he’s done a lot of fucked up shit. But he draws the line at trying to hurt her. He’s the only one who should be allowed to fuck with her.
He takes the poster down and whistles softly at the price under her name. It’s enough to keep him happy for a longtime. If he never wanted to take on another bounty he wouldn’t have to. Course, he was never in this for the money. A man’s gotta have something to entertain himself with at the end of the world. 
He wonders if she’s even still alive. Maybe a Deathclaw got her a day after she left him behind. He could have walked past her corpse and never even known it. He folds the poster up and slips it in his bag. He doesn’t know why he bothers keeping it. Possibly because it’s the closest thing to her that he’s got, but he doesn’t feel like lingering on that thought for long. 
He tugs his hat lower on his head and heads through the tunnel leading to Filly. He’s caused a lot of issues here over the years. Usually he kills most of the people who could identify him as an instigator, but he doesn’t feel like pushing his luck today. He needs more supplies and he knows Ma June won’t sell to him if he causes a fight beforehand. 
It’s louder than normal today, more people rushing around. They’re all congregating around something in the center of the marketplace. He turns to the left, heading up the stairs to try and get a better look at what’s got everyone so excited. 
“They found her!” A boy shouts, fidgeting in his spot next to him. He glances at him from under his hat and the boy pales before scurrying away from him. His lips turn up in a cruel grin and he finally gets a good look at what’s happening. 
She’s kneeling in the middle of the marketplace, two Knights on either side of her. He’s more surprised by the fact that she actually has picked up a hat in her time away from him. 
She seems to be playing into the outlaw routine more than he thought she would. 
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You’re embarrassed, honestly, that you let these two idiots capture you. Them and their useless little squires. 
You’ve found odd jobs through the Brotherhood when they need assistance looking for relics of the old world. Though, you’re really not sure how much use a toaster oven can be to them, but they pay good money for it. 
Once your bounty was posted and they figured out who you were, though, that stopped being useful. You can’t even hunt bounties because the agencies would just grab you and turn you over to the compound.
They clearly didn’t give a shit about women, you don’t get why they’re making this whole Sylvie situation such a big deal. 
You had to bribe Ma June by buying some of her junk, but eventually she’d helped you find some work in Filly. The people here are stupid enough that they don’t recognize you when they see you. Most of them are high or drunk so the only thing you have to worry about is wandering hands and not stepping in the middle of their brawls. 
From the patrons of the bar you hear stories about yourself. How you slaughtered the entire compound, even the children, which is so far from the truth you can’t help but scoff. Or how you apparently slept with a ghoul and you're carrying his mutant baby. 
You don’t even know where they got that one from. 
They also seem to think you wander through the sands, shooting anyone who gets in your way. It’s a comfort that no one seems to have caught onto you yet. But it’s also disheartening to know that all that’s left of civilization is a bunch of psychopathic idiots. 
What happened to natural selection?
You know your stint in Filly is up when two Knights walk in, their squires struggling to carry their bags behind them. You pull your hat further over your head and duck behind the bar. You try to keep your back to them and let the old man, Marley, who runs the bar deal with them. 
His shaky voice is cautious as he greets them, “What are Knights doing so far out here?”
One of their distorted voices rings out through the, now quiet, bar. “We got bored. Wanted to shoot some shit.”
You roll your eyes and focus on cleaning the cup in front of you. You spit into it, not enough water to properly clean it, and scrub at it with a stained towel. Marley hums, clearly displeased with the answer. You can hear his tottering steps approaching you and wince, praying he’s not going to do what you think he is. 
He tugs on your shirt with a shaky hand and you slump forward in defeat. “Deal with these jackasses,” he mutters, taking drinks over to a different table. 
You pour the only alcohol the bar has into two cups and keep your head down as you approach. “Heard that a woman took over for Knight Damien.”
One of them scoffs and shakes his armored head, “What the fuck is this world coming to?” You don’t know how they’re planning on drinking their liquor with the helmets on but you’re not going to ask stupid questions. You drop the cups in front of them, but your hand slips and one of them tips over into a Knight’s lap. 
“I’ve got it, sire.” Their squire lunges forward and begins vigorously scrubbing their armor. Your face curls up in distaste and you’re about to walk away when a metal hand grips your wrist. 
“Holy shit, it’s her!” Oh, you’re so screwed. 
They’ve got a fucking leash on you, it’s humiliating. The scarred and dirt-covered faces of the citizens of Filly surround you. They’re all leering, shouting at you and begging the Knight’s to share in the bounty. But the Knight’s aren’t listening, they’re just congratulating each other. 
“What do you think they’ll give us?”
One of them shoves their squire and he goes toppling into his large bag, feet flailing in the air. “Hopefully better fucking squires. I’m getting sick of this one’s stupid face.” 
The squire kneels down and shouts in a shaking voice, “I’m sorry if I’ve disappointed you, sire!” God, you really hate these people. You wished they would just shoot you. Having to sit here and listen to them talk was making your brain go numb. 
The Knight’s distorted laugh rings out through his helmet. The other one glances over at you, “What do you think she did? I’ve never seen the compound this pissed off.”
“I dunno. Hey!” You know he’s talking to you, that they want an answer, you really don’t care to give them one. “What’d you do?” They stare at you for a moment and then he sighs when you don’t respond. He shoves his squire towards you and the kid goes stumbling over his feet. “Make her talk.”
He nods rapidly, head bobbing up and down. “Of course, sire.” Your hands twitch to your side and you give him a wicked grin as he approaches. 
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He’s debating going down there and trying to help her when the first shot goes off. He doesn’t even see it happen, he just watches as one of the squires drops to the ground. 
Those who don’t want to get caught in the crossfire are quick to move away from the area, hiding in their shops or shoving past him to get through the tunnel. He heads down the stairs, taking his time and trying to figure out where the shot came from. 
The second squire moves towards her and his head flies back, a hole between his eyes and his brains splattering across the ground. One Knight shoves the other one and points at their dead squire’s, “Did you not take her fucking gun?”
He’s been in those suits. He remembers how it felt, the power you get from being in them. How they make you feel like a big man. He also remembers how fucking slow they could be. She’s on her feet and running for cover before they can even start to grab her. 
She dives behind a stall and tugs a knife out of her boot, sawing at the ropes around her wrists. He can’t reach her before the fighting starts. Someone in the remaining crowd shouts, “Grab her! Get the bounty!” And all hell breaks loose. 
Someone runs at him and he shoots them before they can grab him. Shots start going off, the Knight’s mowing down anyone who tries to swoop in on their bounty. Everyone else is shooting blindly, just trying to get rid of the competition so they can claim her bounty as their own. 
He ducks under the hail fire and slides next to her as she’s reloading her gun. She glances over at him and frowns, “Didn’t I kill you?”
He hears a shout and watches as some half-feral woman charges at them. She shoots her dead and turns back to him. He gives her a wry smile, “You want to do this now, sweetheart?”
She peers over her cover and surveys the chaos going on around them. She sighs and glances back at him, “Why aren’t you dead?” 
He tugs one of his specially made bullets out of his bag and loads it into his gun. He lifts himself to his knees and aims at the weak spot on the Knight’s chest plate. They both watch as blood explodes out of the neck of the power armor, the Knight’s friend cussing as he watches him die. 
“Next time,” she turns to look at him, “aim for the head,” he instructs. She glares at him before making her way to Ma June’s shop. He follows, not willing to let her out of his sight again, and she ducks behind the barrels of supplies in front of the shop. 
“Clearly,” she winces as the Knight’s gun starts firing off again, “I’m not making it out of here on my own.” They dive to the side as bullets rip through the barrels they’re leaning against. They’re not gonna have cover for much longer.
He grins at her, “Sounds like you’re asking me for a favor, darling.”
The sounds of screams and bodies dropping is nearly deafening. A few feet away a bullet catches a man in the throat and he drops to the ground. They watch as he chokes on his blood and tries to claw his way to safety. Steps rapidly approach them and she turns to shoot a different man, his body dropping an inch away from them. 
He turns back to her and his lips turn down, “After you tried to kill me? You want my help,” he laughs at her and she glares. 
Before she can speak a voice rings out above them, “I got her!” He shoots at the woman on the upper level above them, half of her leg gets blown off and she tumbles over the railing, narrowly missing the pair. 
He turns back to her, “You’re asking a lot, darling.”
“You’ve fucking shot me, twice. I’m not asking you for anything.” Her lips turn down in a sneer and she looks at him like the very sight of him disgusts her. “I don't need your help. I don't need you.” She glances back over her shoulder, surveying the gore and the bullets flying around them. She checks her gun and he sees just how little ammo she has left. “I’ll handle this myself.” She snaps the chamber of her gun closed and moves to get up. He grabs her wrist and yanks her back down, ignoring the angry expression on her face. 
“Look, you might not want my help, but you need it, sweetheart. Just stay here.” 
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You watch as Cooper runs off, his guns firing before he’s even fully standing. You only wait a second before you’re running into Ma June’s and out her back door. She shouts at you as you barrel through her shop, knocking over her displays and shelves, but you can’t waste any time getting the hell out of dodge. 
You’re surprised Cooper was stupid enough to think you would actually wait for him. The Knight’s had called for an air evac out of Filly and if you stay there any longer you’ll be back in the compound before you can blink. 
You’ve spent a month evading them, you’re not about to let yourself get caught because of Cooper. 
You can’t believe he’s not dead. It’s not like you’ve been losing sleep over killing him, but it’s been hard to cope with the fact that you killed the man that was once the love of your life. Seeing him again, though, you wished you had shot him in his smug face. 
You’d forgotten, in the time apart, just how condescending he could be. He seemed to think you needed him to survive. You didn’t. 
At best, he provided the comfort of company. Poorly. 
Despite how much he undervalued you, you were perfectly capable of taking care of yourself. You didn’t need him to save you. You would have figured your way out of there on your own, eventually. You’ve handled yourself a month in the Wastelands without him. You learned how to carve an existence for yourself out here and you did it without help. 
You race into the woods beyond Filly, putting as much distance between you and the sounds of fighting as quickly as you can. The trees around you begin to shake, the ground vibrating and a swirl of dirt and leaves rises into the air and whips you in the face. 
You look up and begin pushing yourself faster. One of the Brotherhood’s Vertibird’s is circling Filly. “This is not a hostile landing! Please remain calm!” You blame your distraction on the announcement. 
You would have heard him coming up behind you if you hadn’t been listening to whatever the Brotherhood was saying. Rope loops around your arms and you’re yanked backwards. Your head thumps painfully hard against the forest floor, rocks scraping you as you’re dragged across the ground. 
Cooper’s face appears over yours, a cruel smile on his lips. “Now, this seems awfully familiar.” He walks around you, boots straddling your waist and grabs you by the front of your shirt, yanking you back to your feet. “I thought I told you to stay put, sweetheart.”
You frown at him, shoving your leg up between his. He groans, doubling over while you shimmy out of the loose rope. “Honestly, after all the shit that’s happened you think I’m gonna listen to anything you say?” You step back from him, brushing the dirt off your clothes as best you can. 
You sigh in frustration when you realize that when the Knight’s had grabbed you, you’d lost your supplies. Cooper looks up at you and scoffs, “Missing something?” You eye his bag on the ground and start to go for it. He pulls the hammer of his gun back and you glance towards him. You’d forgotten what a quick draw he could be.
He’s fully recovered now, eyes narrowed in on you and gun pointed right at your chest. “See, a bullet to the chest might not kill me, but I reckon it’ll do a hell of a lot of damage to you. Why don’t you back up for me, sweetheart?”
You let go of his bag and slowly back away from him. He keeps his gun trained on you and stoops down, throwing his bag back over his shoulder. Your eyes dart to the hat on his head and your lips curl up when you spot the hole you’d put in it. 
Two hundred years and he’s kept that hat nearly pristine, you take no small amount of pride in being the one to ruin it. 
“The Brotherhood will be swarming these woods in a few minutes. They’re not gonna be too happy about one of their Knight’s being dead. Come with me, I can help you out.”
You scoff, “Like I’ll ever trust you again. You’ve shot me, sold me, and left me for dead, Cooper.”
He huffs, eyes narrowing and lips curled in a sardonic grin. You can tell he’s getting pissed off. “The choice is yours,” he tucks his gun back in his holster and turns on his heels. You watch in surprise as he stalks away from you. You had fully expected him to put up more of a fight, it almost hurts that he left so easily again. 
Then you hear the sounds of orders being shouted behind you. Metal creaking and stomping through the underbrush and you realize he hadn’t left but forced you between a rock and a hard place. You could follow him or let yourself get captured by the Brotherhood. 
“Fuck,” you mutter under your breath. You risk a glance over your shoulder and spot a rapidly approaching party of squires. You run in the direction Cooper went and find him leaning casually against a tree, a satisfied look on his face when he spots you. “Don’t say a word,” you warn, shoving past him. 
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He glances at her from across the fire and finds himself feeling almost at ease for the first time in a month. It’s been a while since he’s looked up to actually find her staring back at him. She might look like she wants to kill him, but she’s here. 
“You have to admit, we make a pretty good team, darling.”
She gives him an unimpressed look, “Yeah, Cooper, we’re so great at murdering people.” She looks over to the dead bodies of the raiders they’d stolen this camp from and shakes her head. “I forgot how much death you surround yourself with.”
“I surround myself with? Might I remind you, you fired the first shot, sweetheart.” Granted, he had shoved her out of her hiding spot and given her no choice about it. 
Her head shoots up and she glares at him, “You made me!” She opens her mouth and he grins. He enjoys provoking her like this. Even if the last time he had she’d shot him because of it, but it’s fun to rile her up. She always gets so pissed off, it entertains him to no end. 
To his disappointment, she closes her mouth and shakes her head, choosing not to engage with him. He sighs and rips off a piece of jerky. “When did you turn into such a wet fucking blanket?”
Her eyes flare with anger, despite that, he can hear how hurt she really is. “Maybe when you sold me!”
He tilts his head and runs his tongue over his teeth, “You ever gonna let that go? I told you it was a mistake. How was I supposed to know they were gonna breed you like a prize pig?”
She scoffs, the noise high pitched and shocked. She shakes her head and stares at him with wide eyes, “You are unbelievable.” He shrugs and takes a swig from the flask he’d stolen off one of the raiders. He’s not sure how they make their alcohol, or if they trade for it, but it’s fucking disgusting. He frowns at the flask and drains the rest of it before tossing it into the woods behind him. 
She sighs and runs a hand over her face, her voice tired as she asks, “What’s the plan here, Cooper?” 
He picks at his teeth and shakes his head, “With what?”
She leans against the log behind her and gestures at herself. “With me. What, are you going to wait for me to pass out so you can tie me up and send me back to the compound? I’ve seen the price on my head. I know how valuable I am to everyone in the Wastelands.”
He doesn’t know why what she’s saying bothers him so much but it does. “You really think I’d send you back there?”
Her face is devoid of anything as she responds, “Why wouldn’t you?”
It’s the bluntness with which she asks that, that bugs him. Like there’s no other possibility but him betraying her. Taking advantage of her while she was vulnerable and weak and then handing her over to the people who want her dead. He wouldn’t do that to her. 
He didn’t go through all this fucking trouble to find her just to lose her again. He wants to tell her as much but she’s on her feet and grabbing her bag before he can. “Look, I appreciate the help today, but I’m not interested in starting this partnership back up again. I think it’s better if we just part ways.”
He whips his gun out before he can think about what he’s doing. She freezes, still bent over and eyes his gun warily. “I’m afraid that’s not an option, darling.” He can’t let her leave again. And maybe this isn’t the best way to go about it, but he doesn’t know how else to stop her. 
“You gonna shoot me, Cooper?” She whispers, her own hand twitching for the revolver at her side. He stands up and grabs her wrists, ignoring the way she struggles against him. He binds her hands with his rope and he sits back down, 
“I’m not gonna turn you in and I’m not gonna shoot you. But you’re not getting out of here that easy, sweetheart.”
Her eyes narrow in on his, her fists clenched tightly in anger. “I killed two men with my hands bound today. What’s stopping me from killing you?”
He shrugs, “Nothing. There’s nothing stopping you, just like there’s nothing stopping me. But I’m not killing you, am I? See,” he leans forward, “I’ve fought too hard and spent too much time looking after you to just let you go now. We’re in this together, whether you want it or not.”
Her lips split in a sneer and she throws herself down on the log. “You’re all the fucking same. You treat me like a goddamn dog that needs to be beat into submission. I’m not some misbehaving pet, Cooper!” Her eyes well up and her voice breaks, “You don’t get to just leash me and expect me to be okay with it.”
“I’m under no illusions that you’re happy here, sweetheart.” He runs a hand down his face and she shakes her head in disbelief. 
“Then just let me go,” she’s bordering on begging now and his chest squeezes the longer she stares at him with those pleading eyes of hers. It’s not something he’s familiar with, this feeling, this longing for her to just shut the fuck up and stop making this so damn difficult for him. 
“I can’t,” he mutters, wanting her to just drop it. 
“Why not?” She snaps, dropping any pretenses of trying to get him to sympathize with her.
He surges forward and grabs her by the jaw. Her eyes widen in shock and he smashes their lips together, teeth clashing painfully. There’s nothing gentle or sweet about this kiss. Her teeth are ripping into his scarred lips until the taste of copper is spreading on his tongue. He groans, digging his fingers into her cheeks until her lips part. 
His tongue probes against hers, the taste of his blood spreading into her mouth as well. She whimpers, the noise stirring something in him he’d forgotten about. There’s an old desire bubbling in him that’s making him blind to the rest of the world. He wants her, more than he ever wants to admit. 
He’s wanted her for a long time before this and they both know it. How hard he’s fought against it, against moments like these. He didn’t think he was still capable of this feeling, this desire for her. But it’s consuming. She’s ruining him, running him in circles until he thinks he’s going insane. 
But it’s not the same gentle passion it once was. It’s as twisted as he’s become. The desire to possess, consume, covet until she’s his and only his to do with what he wants. His teeth dig into her, letting her blood overcome the taste of his own. He groans, his free hand grabbing her waist and yanking her closer. 
She tastes so much sweeter than he does, he wants to rip a chunk of her off and eat her whole. He’s so distracted he doesn't even notice her pulling out her gun until he’s shooting back from her. He lands roughly on the forest floor and groans, hands clutched over the bleeding hole in his gut. Pain radiates through his abdomen and he rolls onto his side.
He looks up at her in shock. She’s spitting their blood onto the ground, her bound hands wiping at her lips. “Asshole,” she mutters. She tucks her gun back in her holster and looks over at him. 
His eyes are wide in disbelief as he struggles to sit back up. The movement causes another wave of pain and he hisses through gritted teeth, “You shot me!”
She rolls her eyes and gives him a blank look, “You’ll live.” He limps back to his own seat and lifts his shirt, watching as the hole closes over slowly and the blood stops leaking. She watches as he heals and sighs, “Unfortunately.” He tugs it back down and sighs at the state of his shirt. 
“My shirt won’t.” He digs a finger into the hole and tugs on it, watching as it rips wider. Two hundred years he’s kept these clothes, she ruins them in a month. Un-fucking-believable. 
“Sew it,” she gripes, still wiping at her mouth. “I can’t believe you just fucking kissed me,” she frowns and spits again, bits of crimson lingering on her lips. 
He sighs and leans back against the tree. “Felt right in the moment.” It did, he wants to do it again. They’re even now, they’ve both shot each other twice. No reason for her to shoot again. 
He wants to feel the way she shivers against him and moans into his mouth. She can be pissed all she wants but she kissed back, she can’t deny that. He’s sure if she wasn’t tied up she’d be a bit more receptive to him. Or maybe she just needs time to cool off after the whole compound incident, a month seems like a reasonable amount of time. Then again, women are so damn unreasonable. 
She tugs a knife out of her boot and positions it between her knees. She places it between her wrists and saws at the rope until it falls free. She slides the knife back in her boot and tosses the ruined rope at him. 
He catches it with a sigh and glances up at her. “Why didn’t you do that earlier?”
Her eyes are alight with a challenge, “I wanted to see if you would let me go yourself.” Well, clearly, he had failed her little test. “I wanted to see if there was even a possibility I could ever trust you again.”
He gives her an unimpressed look, slightly pissed off about his shirt. He never should have taught her how to shoot. If he’d known it would come back to bite him in the ass he wouldn’t have. “And?”
She gives him a disbelieving look and shakes her head. “And instead of letting me go, you kissed me.“ She throws her hands up in astonishment and glares at him. “Why the hell would you think that was a good idea?”
He smirks and revels in the way she shivers at the sight. “Well, darling, I’ve always been better with actions not words.”
“Yeah,” her voice is a challenge, eyes hard and jaw clenched tightly in frustration. He loves the sight of her all riled up. He loves it even more knowing he’s the one getting her like this. “What were you trying to tell me with that little display?”
He doesn’t answer her question, not wanting to just yet. “You liked it, didn’t you?” Her mouth snaps shut and she looks away from him. He laughs, leaning back and giving her a smug look. “You can be pissed off at me as much as you want, sweetheart,” the nickname rolls off his tongue like a taunt and she sneers at him. “But you want me just the same as you used to.”
“Do you like hurting me? Is that why you keep me around? You’ve been alone for two hundred years, Cooper. And for the majority of them you’ve harbored this hatred for me because you thought I had abandoned you just like everyone else.” 
Her words strike a place deep inside him that has him on edge. She knows what she’s doing. He’s forgotten, in his time with her, that in the same way he can get under her skin, she can do it too. She knows him just as well, she’s just always been the better half of their duo. She never feels the need to stoop to the level he does. But she’s doing it now and it feels like a kick in the teeth. 
“And I’m the only one that’s actually stuck by you.” She laughs, but there’s an underlying pain to it. She looks away from him and wipes at her cheeks and his fists clench within his gloves. “Is this your revenge? You think by torturing me you get back at everyone whose ever fucked you over. I’m sick of it, Cooper. I’m not gonna let you use me anymore.”
“I feel for you,” he forces the words out. He doesn’t want to tell her this. He shouldn’t have to tell her this. She should just stick with him, it’s what they’d always done, it’s how it always should be. Them, together. But she’s fighting against that, against him, so much that he doesn’t have a choice. 
She’s backed him into a corner he doesn’t know how to get out of. “In a way I haven’t in a very long time. I can’t let you go. Don’t you get that, sweetheart? We’re in this together.”
She shakes her head and he sighs. “No,” she looks at him and just shakes her head again. “No, you don’t love me, Cooper, or you don’t want me at least. I’m not the same girl I was, that’s what you’re after. That idea in your head, of us together, that’s who I was. You were right, the Wastelands changes you. I can’t be her for you and I don’t want to be.”
He chuckles and she shrinks away from the sound in suspicion. “Newsflash, darling, I’m not the same man. I loved you a long time ago, sweetheart, but I’m not capable of that anymore. Not for the girl you were, anyway.”
She nodded, her arms wrapped around herself. She looked like she accepted the answer, but he could see beyond that, could see that she thought he was rejecting her. It hurt, she could hate him as much as she wanted, but that still hurt her. “Good,” she muttered, “she’s gone.”
“Well, good.” She shrank further into herself and he grinned.  “You. You as you are now. That’s what I want. I don’t give a shit about who we were, the only person I’ve wanted since I’ve been out here has been you. You’re the only person I’ve met who can actually keep up with me. I don’t give a shit if anyone in this godforsaken Wasteland lives or dies, but I give a shit about you. You’re also the only one who can knock me on my ass.”
Her eyes darted to the hole in his shirt and a small grin came over her lips. “Haven’t been shot a lot, have you, cowboy?”
“No,” he chuckles again and grins at her, “I haven’t. Though, I am still pretty pissed about the hole in my hat.”
Her tone loses a bit of her playfulness and she glares at him, “You more than earned that.”
He acquiesces and holds up his hands in surrender, “Maybe.” She scoffs at that and rolls her eyes. “But I think we’re even now.”
“Barely,” she mutters, rubbing at the bruises on her wrists. She glances up at him and sighs, a surrender in her eyes. “But, it’s close enough now.”
He stands up and she eyes him warily as he throws himself down on the log next to her. He holds out a hand, “What do you say, darling, partners?”
She sighs and stares at his hand for a long time. He doesn’t mind, he leaves it there, hovering between them. He knows she’ll take it. “Deny it as much as you want but this is how it’s meant to be. You can keep fighting it or save us both some time.”
She reaches forward and tentatively wraps a hand around his, she uses it to yank him forward, their faces separated by an inch. “Shoot me again,” she whispers, “and I won’t miss the next time I knock you on your ass.”
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“Oh shit,” you jump at the kickback on the rifle and nearly drop it to the ground. Cooper laughs and reaches around you, taking it from you. 
“Maybe I should have started you off with something with a little less kick to it.” He props the rifle against the tree and glances over to the cans you’d been shooting at. Well, you’d gotten one out of five at least. 
In all fairness this was the first time you’d ever handled a gun, you’re sure you’re doing fine for a beginner. He sucks on his teeth and looks at your targets. The serious look on his face cracks and he’s clearly trying to fight off laughing. 
You shove at his shoulder, smiling, “Shut up. I’ve never used one of these things before.”
He picks the rifle back up and starts laughing now, “You mean a gun?” 
You throw your arms in the air in defeat and slump into the patio chairs he’s dragged to the back of the cabin. “This is pointless, anyway.” He cocks the rifle and lifts it up to aim properly. In quick succession he knocks the remaining four cans off the fence. You roll your eyes at him, “Show off.”
He smiles and takes a seat next to you. You remain silent for a while, gazing across the yard and to the towering mountains across from his cabin. You appreciate him inviting you here. When you’d told him how overwhelmed you’d been feeling with all the new publicity you hadn’t expected him to drag you all the way out to his mountain home. 
You wouldn’t have accepted if you’d known it was just going to be you and him. You’d thought he was bringing his wife and kid, too. Spending a long weekend playing house with Cooper wasn’t going to do anything in getting rid of your crush. It was just getting worse the longer you were around him.
Waking up everyday and having him be the first person to greet you was going to send you into an early grave. You swear your heart’s never beat this fast around anyone else. He seems to be the only man who's ever had you feeling this head over heels. 
“I think it’s important you learn.”
You glance over at him, surprised at how serious he sounds. He’s still staring out at the mountains, but his gaze is distant. His mind is some place else. “Why?” You ask, voice quiet, afraid to spoil the moment.
He finally blinks, gaze darting down to his hands and the rifle still in them. “It’s easy for people to dismiss the war nowadays. They weren’t there, they didn’t watch as hundreds of good men and women died for them.” You frown, sometimes it’s easy to forget that he’d been fighting on the frontlines. He’s so good at being a socialite, you feel guilty that even you sometimes forget he was a soldier before he was Cooper Howard. 
His voice is heavy, the tension thick around the both of you. “They seem to think the war is over. I know it’s not, it’s just going to get worse. People can bury their heads in the sand as long as they want, but when the fighting is at their front door, what are they going to do?”
You reach out, hand covering his own. He finally looks up at you and you smile. “I appreciate it, Cooper.”
His eyes quickly look at your hand before looking back at you. “For what?”
You shrug, moving closer to him and lacing your fingers with his. You shouldn’t indulge yourself like this, but you can’t help it. He seems so sad and you only want to make him feel better. You just want to take care of him, the way he takes care of you. 
“For always looking out for me. You’re always there, I appreciate it. I appreciate you.”
The sad cast over his face finally breaks and he smiles at you. His hand squeezes yours once, then again and he looks back out at the mountains without saying anything else. You don’t think he needs to, that either of you needs to. Sometimes you understand each other better without words. 
You’ll always be there for one another.
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You eye him warily and he holds the jerky out further. “Aren’t you a little curious?” He taunts, waving the jerky around in front of your face. You know he thinks you won’t take it. That he’s just screwing with you. He’s been doing this ever since you agreed to tag along with him. Teasing you at every given opportunity. 
You snatch it from his hands and rip a piece of it off. It kind of tastes like beef, if not a little sweeter. There’s also that metallic radiated tang to it. You chew it slowly, savoring the slightly caught off guard look on his face. You swallow it down, forcing your face to stay straight and not give away how disgusted you feel right now. 
He chuckles, leaning back and looking at you with something that seems like appreciation. “I hope you know that was ass jerky.”
You gag now, glaring at him and tossing the rest of the jerky at his smug face. “You’re such a dick.” You take a swig from your canteen and swirl the water around your mouth. It gets rid of the taste well enough but you’re never going to get over the fact that you swallowed a part of someone’s ass. 
He suddenly gets serious, swatting at your arm and motioning to the front of the store. You crouch beside him, watching as a raider walks out of the front doors. You don’t get why they chose an old movie store for their hideout, but Cooper had it on good authority that they had a decent cache of supplies inside. 
The last time you’d followed him into one of these things, you’d nearly died, and then he’d sold you. You’re still not fully trusting of him. The only reason you’re with him now is because you need extra security from bounty hunters after getting booted out of Filly. 
If he wasn’t such a good shot, you would have never given him a second glance. Despite how much he insists the compound was an honest mistake, you find the trust slow to come. You’ll let him take the lead on this one, you’re not confident in him having your back if things take a turn. 
He moves forward and you hang back, keeping watch while he slits the guard’s throat. He lowers the body quietly to the ground and you creep behind him, following him through the doors of the store. 
This group is smaller than the last one you dealt with. Only five of them with no extra guards outside. Cooper ducks behind a dust covered shelf before they can spot either of you. You go to the other side of the store, moving slowly along the edge until you have a good shot. 
You take out one man and Cooper manages to hit two more before they start firing off their own guns. You dart back behind the shelf, willing to let Cooper handle the last two. But one of them dives behind the shelf and grabs at you. 
Another shot goes off and his friend’s body hits the ground while he rounds the corner with you. He’s got an arm wrapped around your throat and the barrel of his gun pushing so hard into your skull you can feel an indent forming. 
It wouldn’t be hard to shoot this guy, you still have your gun in your hand. Cooper seems to realize that, too, from the questioning look he gives you. You drop your gun to the floor, you want to see what he’ll do. 
Maybe you’re stupid, gambling with your life like this. But you don’t feel any fear, not from the guy holding you hostage at least. You just keep your eyes locked on Cooper’s. They’re so familiar to you, yet so distant. Like a stranger you’ve known all your life. 
He slowly rises from the floor, hands raised in the air in surrender. “Alright, let’s just see if we can’t talk this out like gentlemen.”
The guy holding you jerks you roughly, gun banging painfully against your temple. You wince but remain quiet. “Stay back or I’ll blow her goddamn brains out!”
Cooper’s eyes dart from your face to the guy. He huffs, frowning and pursing his lips like he’s trying to think of a way to talk himself out of this. He could leave, he’s got enough time to make it through the door before he fires at him. 
Or he could help you. 
It’s the only reason you let yourself get caught. If he wants your trust he’s going to have to prove it. Cooper looks at you and a grin splits across his face. It’s like he’s read your mind, from the knowing look on his face you think he might’ve. 
Then again, you never really needed words to talk to each other. 
With a speed that never fails to catch you off guard his hand darts under his jacket and he draws his gun. He’s shooting the man before you even get a chance to brace yourself. Your body gets dragged back slightly by the dead weight but Cooper moves forward and wraps a hand around your shirt, tugging you into him. 
Your hands shoot out, bracing yourself against his chest. He peers at you from under his hat and grins, “You didn’t really think I was gonna let you go that easy did you, darling?” Your eyes dart down to his lips, you feel like you can still taste him. 
The timing of his kiss might not have been appropriate, but he certainly hadn’t made it forgettable. Nothing about him was forgettable. As much as you wished he could be. You hated yourself for still letting yourself fall into his trap. 
Hollywood might have once labeled you as the most seductive actress of your generation, but Cooper had you beat. He kept you coming back even when you knew you shouldn’t. He had you wrapped around him and all you wanted to do was squeeze until he let you go. 
You push off of him, ignoring how much you want to pull him closer. You move towards their pile of supplies, “Let’s see what we’ve got.”
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There are a few different posters set up in the old movie store that intrigue him. But the one that’s caught his attention the most is set up directly behind her. Her back is to it, so she hasn’t gotten a chance to see it yet, but it’s all he can focus on. 
The Outlaw and The Sheriff
Their first movie together. 
He looks at her and huffs out a laugh, she glances up at him for a moment before she begins rifling through her bag again. She looks like she walked right off the fucking poster, hat and all. She’s the spitting image of herself, but she seems so different. 
Maybe it’s the eyes. The light there has changed, dimmed slightly from how it used to be. She used to seem so naive to the world, like a little lamb that just needed some guidance. Now, he wonders just how much of the world she’d seen before he found her. If maybe she had never been as innocent to it’s cruelties as he’d once assumed. 
She stepped into this new role of hers just as quickly as he had. You didn’t just change that quickly without knowing already just how awful people could be. 
“Sweetheart,” she looks up and he points behind her. She turns around and looks up to the poster.
She scoffs, moving to stand beside him, “I always hated how I looked in that.”
He glances over at her and shakes his head, “Probably shouldn’t show you a mirror anytime soon, then.” Her hands reach up to fiddle with the brim of her hat and she smiles, a real smile for once. 
“No, I suppose not.” Her hands trace over her lips, he glances back at the poster. At that old signature of hers. She always had to have those red lips. “It’s so different,” she whispers and he knows she didn’t mean for him to hear. Her eyes glisten and he frowns. 
He shouldn’t have shown her. It’s not like he enjoyed seeing those fucking Vault-Boy posters, he sure as hell hated seeing clips of himself. Why would she enjoy seeing who she used to be? Who they used to be?
Things used to be so simple. He loved her, she loved him. Now he’d fucked up so much he wasn’t sure she could ever look at him the way she used to. He didn’t want who she was before, he couldn’t handle that. This new her, well, he didn’t give her near enough credit. 
But he wouldn’t hate seeing someone look at him like that again. Endless adoration and unflinching loyalty. He knew he would follow her anywhere, he’d realized that a while ago. He didn’t have anything in the Wastelands, nothing but hate and spite to keep him going all this time.
Now, he had her. He just needed her to realize that she had him just the same. She had him wrapped around her and he hated it and loved it at the same time. Hated her and loved her for it all the same. 
He tugs his glove off before he reaches for her. He cups her cheek, thumb tracing over her lips before she turns towards him. His eyes meet hers and he smiles slightly at the familiarity and mystery to them. So much of her he recognizes and then there are these new parts he’s yet to discover. 
He wants to discover all of her. Learn everything he can about her all over again, feed his desire to consume her entirely. 
She pulls him in this time, her lips chapped and cracked. Her arms wind around his neck, yanking him closer and he tugs at her. She tastes as sweet as he remembers and it only makes him crave more. More of her, more of anything she’ll let him have. 
She pulls back from him, pressing her hand against his chest, slowly backing him against the wall. He lets her ease him to the floor and she throws a leg over his lap. She settles herself above him, both her hands tightly grasping his neck, crushing their bodies together, eyes gazing intently into his own. He doesn’t know what she’s looking for in him but she seems to find it when she leans in once more. 
She isn’t giving him a chance at control, she’s got a leash on him, pulling back anytime he tries to lead. He relents, following her as she slowly explores him. 
He’s not sure how long this peace between them will last before one of them inevitably fucks up. But they’re stuck together now. It doesn’t matter what happens, he’s not letting her get away from him again. 
She’s his, always has been, always will be. It’s been that way since before the fallout. He’s led her, guided her.
He had loved her as a different man. History always seems to repeat itself with them. As twisted as the world is, as twisted as they’ve become, they always seem to drift back together. No matter how much the both of them fight against it. 
He’s giving in now, giving into her. 
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end. — I do not own the characters or the game/show Fallout, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.
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adorkastock · 4 months ago
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wait, you have aphantasia? do you (or your followers) have any tips for navigating aphantasia as an artist? i have acquired aphantasia due to a TBI and i am trying to relearn How To Do Art. have yet to figure out how i need to adjust my process to accommodate because i keep trying to do things the way I used to and getting frustrated when it doesn't work. Obviously everyone's process will be different but i'd love to hear if you have any ideas.
Oh dang first of all ♥ that is a BIG change to have to deal with. So ♥♥♥ First. THIS WILL BE LONG I GUESS I DONT KNOW HOW TO BE CONCISE ♥ I can assure you can still make art with this new, less picture brain. There's loads of artists with aphantasia and while many of us have had it our wholes lives and had no idea, I am certain we can help give you advice to keep your art going. I will say up front that I started making pose references because I found that my drawings were a LOT better when I worked from reference. Turns out I guess I don't have any head pictures so ??? This explained a lot! I wish I knew how my brain stored info if not visually because I know when I used to draw a lot especially when I drew a lot from life, my figure drawing dramatically improved and I got pretty good at coming up with stuff on my own without references. I guess these would be my tips and I hope people jump in, especially if there's anyone else that's an artist who was a visualizer and is not now. 1) References are your friend! HOARD THEM. Don't be afraid to MAKE them. Take lots of photos, save art that does things you like for inspiration, collect lots and lots of visuals outside your head. 2) Even artists who can visualize often seem to report they cannot always reproduce their head pictures the way they want to. When I have 'an idea for a drawing' it's like a concept in my head. It's kind of just words and maybe some vague composition but again - not sure what it is just know it's not visual. So I gotta THUMBNAIL. A lot of times when I wanna work out what an idea is I just have to doodle a bunch of little versions of it til I go "yep, that's it, that's the one." Basically when I see it I know it's right but I have to see it externally to "see" it. Every piece I make (even my hair bows) I can't really *see* until it's there in front of me. I guess that means this part's advice is: draw little versions of things to work out visual problems on paper rather than in your head. If anyone else has things to add please please do!
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your-local-uwu-artist · 3 months ago
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it was suggested I post this to the tags as well >:D
fuck it ima tag @transcendence-au as well because tbh I'm very proud of my silly little animation
some me being a nerd under the cut!
okay so this all started when I read the original post this was inspired by and though 'wouldn't it be silly to add some art to this 3 year old post?' but then I decided to animate it for funsies!
and gosh I sure do love animating!
So I got the base sketch and then got into the lineart animation for each component!
i don't have the sketches/wips saved at all sense this wasn't really a project and it took less than a day to complete. but here's a peak at the timeline
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I animate entirely in my ususal drawing software: clip studio paint. It's just what's easiest for me.
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all of these layers outside that folder are just the sparkles! after I finished I added some sparkles for fun! there's a lot of them because it involved a lot of copy and pasting sparkle layers
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the bottom folders here are the wings body and facial expression! for everything like the wings arms and flags I was able to just copy paste, reverse, and then align the timing correctly in the timeline
one thing unique about this animation is that the lineart and colors are in separate layers! I tend to do line and colors on the same layer but this time I was using a brush that doesn't have the same lack of anti-aliasing and sense it's a small animation I wasn't as worried about keeping a minimum of layers like usual.
also the movement of the body is only 4 frames! and one one of those is just the hat shifting position
initially I wasn't going to have the second facial expression but when I got stuck on animating the flags I added the second facial expression while taking a break.
the arm animation is just 8 frames! honestly the only tricky part in this is the flags, everything else was pretty simple, which made it super fun to work on because I got both a challenge and mindless therapeutic drawing out of it.
NOW THE FLAGS there was 3 throw away attempts before I got it: you see the thing that made this tricky is finding the balance between believability and visual appeal. a big part of animation is creating the illusion of physics, this is the 'believability' part, I need these to look like flags that are moving and made of flat fabric, HOWEVER if I animate these one-to-one with realistic physics: it won't look good! I can't apply wind to the whole drawing because then the hair would have to react, and wind goes one way, and I wan't the flags to be pointing opposite directions. so without wind the flags would be laying down flat, but that won't look good at all! and furthermore realistic physics would have the flag not being all nice and front facing most of the time. so the trick here was figuring out how much physics to apply to make it look believable, while still making it look good.
one trick I did to help me animate the flags is I actually made a plan rectangle flag as a guide so that the general mass/volume of the flag would stay consistent, this is something i highly recommend when animating! like having a circle guide along a characters head to keep their height and proportions consistent.
after I finally found the balance with the flag lineart coloring wasn't too hard! sense I just had to follow the lines, and THANK GOODNESS the trans and aroace flag have the same number of stripes: saving me time!
and then it all comes together to make a satisfying perfectly looping bundle of cuteness >:DDD I feel like the tau fandom doesn't have as many artists with particularly cartoony/chibi art styles so I've gotta play my part in spreading the joy-whimsy-adorable-sillys >:D
anyway! hope you get to see a cool beetle today :D
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nochilforthechuck · 8 months ago
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OKAY PEOPLE HEAR ME OUT
I’m usually an AU machine and Dungeon Meshi doesn’t escape its fate, so HERE GOES, modern days au, ice skating
Chilchuck is an ice skater, but he can’t make it professionally cause his small stature keeps him from clearing the minimal jump heights required in figure skating. He could however, compete in ice dancing (which scoring system is different and the required jumps are lower) BUT also because of his own height, no one really wants to partner with him. He’s also somewhat of an asshole, so he doesn’t exactly have the best rep around here.
Nonetheless, he trains tirelessly, hard at work and hoping to be able to enter competition one day. He’s friend with, and trains at the same rink as famous ice dancers couple on and off the ice Falyn Touden and Marcille Donato, 4 times world champs.
Everything change when Laios, Falyn’s brother, comes back home after living abroad, after being banned from figure skating competitions, because he keeps USING WEIRD, FORBIDDEN MOVES like the back summersault or shit like that. He did, before that, win several prizes (2 internationals gold medals and 1 world bronze), but now because of his weirdos antics he gotta retire from competitive figure skating. He visits his sister and her partner/wife, and immediately takes an interest in the lonely tiny guy who is cleaning flawless jumps and spins (chilchuck’s speciality is the axel, especially the triple, which is a notoriously difficult one) in a corner of the rink, and still laios never heard of the guy despite his level. Falyn and Marcille explains the situation to him and now he only has one idea: partnering with chilchuck for ice dancing competitions.
Chilchuck is A LITTLE weirded out by the new guy (he wants to throw him in a fire ring or something, the fuck is wrong with this dude), but after some (a lot) of insistence from laios, he accepts.
The great thing about that is that thanks to laios’s massive corpulence and strenght and chil’s super light frame they can do couple figures usually VERY hard to pull off, if not impossible, making them a force to reckon with in competition.
And somewhere along the lines, they fuck, and fall in love. (In that order)
I HOPE THIS ISN’T,,, CRINGE (eng dub chil’s voice), I genuinely adores making up aus and I love ice skatings aus and THINK OF THE POSSIBILITIES….. all the nices poses to draw laios and chil, laios holding up chil in intricate and beautiful position on the ice…
If you like it, i’ll draw more 🥹
Also, yes, most of those are modeled after Yuzuru Hanyu, because he has exactly the body type i picture Chilchuck with for this au.
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strazki · 8 months ago
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School Bus Graveyard headcanons no one asked for but will still get 😤
Ashlyn has autism. Honestly pretty much canon at this point, considering what we've seen of her, but still
The whole group took a hot second to adjust, but they are now so accommodating to it
Obviously there's the noise issues, but they also recognize when she needs to be alone, and they don't bother her too much about her being so asocial
I’m projecting but I just love these guys
ANYWAY, on a completely different subject, I think Taylor is actually a really good singer! She's just very shy about it
I also think Aiden can definitely play drumset
Top that off with Tyler canonically playing guitar, all you need to do is give Ben a bass or something and then they're basically just a little band!
I think they would be called the Phantoms or some shit like that
Ashlyn can do backup vocals, and I love my boy Logan but he's giving stage manager vibes a little bit lol
Someone's gotta do it
Taylor and Tyler share their clothes all the time. We already see that they have the same room, which most likely means the same closet, and since the two of them have a relatively similar build (and thus, similar clothing sizes), they just don't really bother separating their clothes (probably why they're matching so often)
Aiden does so much stupid rich kid shit. Not obnoxiously, but just out of a lack of understanding
Probably says some shit to the others like "Wait, your parents didn't get you a car? I know we can't drive yet, but you can still like... take pictures with it."
Bro has no idea he's that rich
The twins absolutely love going over to Ashlyn's place to get self-defense training from Mike and Emma. With their father being gone for a while, and their mom being not all there (for lack of a better description), it's been a long time since they've had a stable parental figure in their lives
Ashlyn's parents are just so nice to them and treat them like their own kids. I just think it's something they needed in their life that they found in an unexpected place :(
Ben loves to paint! He took up art and drawing ever since he lost his voice, and finds painting specifically very calming
He's been working on portraits for each of his friends that are all lying half-finished around his room
Even when he finishes them, though, he probably wouldn't show them for a while because he's quite nervous about it
If he DOES show them, he would definitely give Taylor her's first, because that's who he feels closest to
She cries
I feel like Logan, with working at the flower shop and all that, probably spends a bit of time putting together little bouquets for his friends
Not as like a grand show of affection, but just little gifts to show his appreciation for them being around and caring about him
Probably personalizes them a LOT too. Not only does he coordinate them to match the favorite colors/flowers of the person he's making them for, but he knows all the symbolic meanings behind each flower
Like, for example, I bet he gets yellow roses for Ben to signify friendship, and pink roses for Ashlyn to signify gratitude, that sort of stuff
His love language is gift giving and he's never had friends as close as these guys, leave him alone >:[
Okay that's all I got right now send tweet
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factual-fantasy · 1 year ago
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24 asks!! :0000🌟🎭🌟
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I HAVE!!! :DDDD
Kinger and Caine are my favorite characters! I've seen a lot of theories and fanart and I've already started making my own AU and angst and everything but I cant DRAW any of that yet because I'm REALLY BUSY with an OVERDUE PROJECT AAAAA
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(In recent development, Asgore is unable to heal Spamton because he is a darkener :((( )
I think it might have been addressed at one point yeah :0 Maybe something was wrong with Seam and Asgore reached out to help. In which Seam was terrified and Jevil jumped in to protect him. Asgore could see the trauma and tension in the both of them so he carefully backed off.
Later he could hear from Seam about their pasts and why they were afraid of him. Asgore would then try to take steps to.. not..? Be scary to them?? <:D
Spade king could have talked in a very gravely and booming voice. So Asgore is sure to always talk softly and clearly. He is careful to not make any sudden movements around Seam and Jevil. If he's reaching for something near Seam/Jevil he will gently announce what he's doing and make sure they understand before he does it.
Asgore with his hands in his lap: "Seam, I want to grab that bag.."
Seam: *turns "huh?"
Asgore, hands still in his lap: "That bag beside you, I'd like to grab it."
Seam: "oh, okay,"
Asgore then gently reaches for the bag, making sure that Seam can see his hand coming.
Little things like that would really ease Seam and Jevils nerves. And its what made Asgore so trustworthy to them. The fact that he cared so much about their comfort and went above and beyond to make sure they felt safe around him.
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Not really a parental figure. He sees Seam as his equal in every way. So like.. he sees him as his brother of the same age.?
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@beryl-shade
Oh he didn't lock Seam up in a cell. He just put shackles around his wrists and neck :00
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The thing about Jevil is that the bigger the group got, the worse his habits became. And the harder it became to break those habits.. Jevil was the one who collected these people, so they are his responsibility. Giving up his food not just for Seam, but for everyone. Staying awake to keep the fire large and roaring to keep the group warm.
The others try to help him.. but they would have a hard time getting Jevil to listen to them. Telling him he needs to eat, sleep or just relax. He probably wouldn't listen because he's a bit stubborn and is probably riddled with anxiety 24/7.
Although when Asgore came around things got a lot easier.
Asgore is very powerful and has proved his trustworthiness multiple times to Seam and Jevil. So although the royal vibe is off putting.. Jevil trusts him to watch the fire at night and protect the group. Seam has been able to reason with Jevil about the food part a little too.
Jevil: "You need this food more than me. You gotta keep your strength up until we can find someone to break these chains!"
Seam: "Jevil, you consume energy to make those mirrors to other worlds. How are you supposed to keep looking for someone to break my chains, if you're collapsed on the ground, too weak to make another mirror?"
Jevil: "......."
Jevil: *takes ONE bite out of sandwich
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I was thinking around 10 years or so..? Maybe more? Haven't really decided :0 And he was able to escape by making a mirror and stepping through it. That mirror basically poked a hole in the walls of the AU and he was able to step out of the AU. Effectively stepping out of his cell and breaking free :}
Also thank you!! :DD
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@gracebeth3604
I've completely ignored comments like this recently because I don't wanna deal with all the drama that will surly follow. But you were really polite and very thorough with your evidence.. sooo I guess I might as well answer it now,
I am aware that people use they/them for Seam. But -> my version <- of Seam goes by he/him.
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I don't reeallly have a Splatoon AU..? And I haven't played Splatoon in a while- although I do still like it and have made some Splatoon ocs!
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These drawings are pretty old. I've been meaning to come back and re-draw them haha <XD
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Yeah its okay to tag like that. Like "seam and jevil" or "mario and luigi". That's just tagging them as being in the same post, no big deal 👍
Also no, no art of any kind. If you truly wanna show that you appreciate my work then leave comments. Maybe reblog once in a while or send me an ask. The comments don't have to be anything complex. You could leave a "Looks great!" comment on 50 posts of mine in a row and I will see what you're doing and appreciate it endlessly.
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@genericcereal-wastaken
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(I most likely will lol XD) Also thank you! I'm glad you love it! :DD
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@elegysonnet
Honestly I can see Seam wanting nothing wrapped around/touching his wrists for a while.. even though they need it. But he could accept cold rags being dabbed on the wounds to ease the stinging.
As for what he'd eat? Dude- anything XDD Probably a burger to start. He'd just take a big fat bite and cry about how good it tastes 😭
And yeah! Now that he has his full range of movement he has his cat like flexibility back :}}
When it comes to Seam using his magic? Its hard for a while...
He hasn't used it consistently in so long.. he would be rusty, and probably anxious to use it again. It would take a lot of sparing and gentle guidance from Jevil and probably Asgore to get his grove back.
It would also take time for him to physically heal. Having his body's energy constantly drained has really effected his ability to control his magic. He would need a few weeks of good sleep and hearty meals before he could get his groove back. But he'll get there. With the group/Jevils support, he would eventually be back to the way he was. Equally matched with Jevil. :}
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@clevermakercupcake
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Thank you!! :}}} 🌻🌻
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I don't remember that, did he do that?? Kwazii whyyy that's nasty XDDD
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@cupcake-kingdom
Seam is frightened and confused but appreciates the message! XD
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Joy. There's just joy and relief everywhere.
There has been a constant anxiety over this group- not just Jevil, that Seam would suddenly collapse and die. Finally succumbing to the chains draining properties.
Now that the chains are off? Seam will heal. He will eat and stay full. He will absorb those calories and turn it into energy. And he will keep that energy. When he sleeps he will wake up feeling rested. He will heal, he will live.
For Seam, it was almost too good to be true. It just, it blew his mind. He was free. He was really free. No more pain, no more aches. No more hunger. His freedom truly starts here. The relief he felt can't be described. He cried, hard. But he also laughed, and for the first time in years, he smiled.
And Jevil? He couldn't speak. He just cried and cried and cried.. He couldn't let go of Seam. He couldn't stop looking at his wrists. Exanimating them over and over again. As if he couldn't truly believe it. All the anxiety, all the worry, all the sleepless nights. They were all over. Seam was gonna live, he didn't have to worry anymore. He couldn't let go of Seam, he couldn't stop shaking, he couldn't stop crying. He couldn't stop smiling.
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They will likely leave some kind of permanent scar on Seam yes.. but his floofy orange fur hides the scars around his neck. And the scars on his wrists will be somewhat covered up by his fur. So thankfully they wont really be noticeable. <:)
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@nunyabusiness459
Heck yeah. After they cry their souls out together they go and crash for like 6 hours or something XDD
(Also funny username, made me laugh! XD)
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WAAA THANK YOU SO MUCH!! And heck yeah!! Feel free to send me your AU stuff when you're done/ready! I'd love to see it! :}}
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@ocinstituterep I imagine he's just reeeeally quiet about sneaking out. My Kwazii doesn't sneak out though he knows better XD
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Thank you so much! Also Spongebob has angst??? :00000
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Things are mostly better!
Little Red got her knees fixed, Escorts broken down a few times but he's currently in working order! Suburban is stiillll a work in progress... undrivable at the moment- :x
Greenie now takes all 4 limbs to start, Brown is out of the garage and U.M is out of the trailer! Pretty good stuff :}}
(If any of that made sense to you I applaud you for your dedication to my Transformer ocs <XDD)
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@skywillow28022
She does exist, although I didn't have any real plans for her.. maybe she was just a gal that the bros knew in passing back on Earth.?
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@beryl-shade
I feel like none of them would willing visit that old stage.. expect for maybe Foxy. I feel like Foxy would be a very emotional and tender hearted character. I can see him not wanting to "leave them behind" in a way. He would come back now and then and talk to the stage as if they were standing on it and could hear him. The staff think that Foxy's programming just hasn't properly registered that Chica and Freddy are gone. And in a way.. they're right..
Foxy cant let go of their memory. And despite how much it would ache seeing that empty stage, I can see him coming back to it anyway..
This also means that part of the reason why Bonnie and Foxy clash so much now is that Bonnie is trying to snuff out any memories and feelings of the past. Meanwhile Foxy is wallowing in those memories and refuses to let go.
If any of the four of them had to preform on that stage once again? Oh man. That would hurt. It would kill Foxy to stand in the place of his late friends. He would feel guilty, ashamed.. Monty and Roxy also couldn't handle it. They would be crushed. Monty would likely get emotional and angry. Roxy would want to run and hide her face. Maybe the three of them would find a way to fake a malfunction so they could just get off the stage..
But Bonnie? Man. Maybe he's so overwhelmed that he just goes on autopilot and finishes the performance. Only to have a complete mental breakdown in his room later.. being so close to the memory of Chica and Freddy.. its crippling to him.
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@skatermusic
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Daww, thank you :}}}
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dollya-robinprotector · 7 months ago
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You can answer this whenever, or never, if you don't want to! But can I ask for advice on how you come up with outfits? I saw the one with Nyan and Kariya's protest outfits not too mention the ones you come up with on your own.
They're all just so pleasing to the eye, and I need to know your secret!!! or tips or anything!!! 🙏🙏🙏
I guess all I can say is you gotta see a lot, save it to your memory, and know how to do some mix-match.
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If you take a look at the Galery section in my commission info web, you'll see nothing I've done to the PCs comes even a bit close to what I actually design for commission or work. The style, I mean. So if you want to draw clothes or characters with simple but still pleasing designs, I think it's safe to say just do whatever you like. My PCs wear only black and white because I like those colors. Lyah wears glasses because I like men with glasses, he has his sleeves rolled up because I like men when they roll their shirt sleeves up. Lya's dress top is skimpy because I like to draw soft boobs spilling out of the hem of clothes. Kariya wears virgin killer because I like bare back and side boobs, etc... Do what you like most. Then you'll know how to make them pretty.
Or... if you want to be more complicated, let's say, hoyoverse or onmyouji or Square Enix level, even Love Nikki level of complicated, then you must really add as many things as possible to your image library. I don't know how to actually say this, it's hard to put into words, but just keep finding references and keep drawing.
Motifs and tropes are something to learn too. For how insect wings and flowers will make you think of fairy or natural, while clocks or gears remind you of steampunk.
How to make a female character look like a mommy? What kind of mommy are we talking about? The "ara ara" type? By making their figure look more round and plum, making their hair loose or more silky with a long dress and apron, and making them always have their palm to cup the side of their face, and tilt their head a little... Things like that. Sometimes stereotype is a good way to start your design game.
Or how to tell if a character is a young brat? Spiky hair, missing teeth with bandages here and there, maybe a tattoo or some piercings with sloppy clothes? Butttttt when you look closer they always have, maybe, some cute stickers on their belongings? Maybe because they have a lil sibling and they have a soft side for that sibling? Yeah, sneak in some easter egg here and there. It's fun when people notice an Easter egg and hopefully, that could lead to questions or discussion between your fans!
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surelysilly · 2 months ago
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i love your King Of Hell Danny (superphantom) au and i would greatly (very much) appreciate it if you could talk more about it (King Of Hell Danny) i love his (danny) smug cat energy (smug) in all of your drawing for it (hell is under New Management)
i hope you're ready for this some rambling but ask and you shall receive!!! yes i waited to post this for superphantom week i gotta shill for my own event, y'know :9
So. You want to know more about King of Hell Danny, is it?
part 1 / part 2 / part 3 / part 4 / part 5
Well. Well. He's certainly Danny. Or more specifically I've decided as of recent, Dark Danny. I'm waffling on whether he's Dan Dark Danny or just... Phantom sans Plasimus. The latter feels less likely as i try to flesh him out, but you never know with these guys... he does prefer to look like his 14 yr old self though.
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But whatever version he is of himself... it's post-TUE, and he hates himself more than anyone is allowed to know.
Not sure exactly how he ended up in the SPNverse (portal probably!), but he'd definitely prefer going back to his own world/dimension in a heavily buried sense of self-flagellation and unreliable narrator-ness.
Everyone is waiting for him there, not here, wherever he is exactly. This implies anyone is left alive, but he never said that. People (Crowley, etc.) just assume so.
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and he's the worst lil jerk you could ever meet, at a first, second, and third, glance, anyway.
Smug cat, indeed. He does what he wants, when he wants, how he wants, and taking over Hell felt right. (isn't that where he'd go? he thinks, after learning Hell is actually real.)
he's overpowered for sure, but it also comes from a misconception for what he is. Not a demon, not human, a secret Third Thing: weird ghost.
i like to think most regular ghost counter measures work on him, but no one thinks to try them because that ain't no ghost??? He plays the part really well though, pretending to be a demon (and gets mislabelled a crossroads demon for his red eyes) -- it doesn't bother him to kill people, but he doesn't go out of his way to do it anymore.
KOH!Danny having it out for the Winchesters is a very thoughtless and fun thing, and it would piss him off when they try to summon Crowley, but in all actuality, he'd probably end up begrudgingly working with them or something.
And ultimately betray them.
I also think his goal would be to fuse with Lucifer when he's freed from the Cage. That should give him enough power to bust a hole back to his OG dimension, right?
maybe. Who knows.
You can certainly find him at DIY skateparks across the globe. He's an asshole to anyone and everyone, but god have mercy on anyone looking to cause trouble while he's trying to have a good time (he feels guilty about it, though, having fun -- it's a circle of shame/guilt/fuck it we ball mentality, here for a good time not a long time).
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he can 'see' Castiel's wings and if in his presense, will pluck at them because he's annoying like that.
Crowley became his lap dog though, regardless of intial beheadings because... Hell generates a lot of paperwork the way Crowley was running it, and KOH!Danny don't got the time for all of that.
eventually I'm sure someone will figure him out, ghost weaknesses and all, but it's not 1:1 SPNverse ghost: no bones to burn, no records of him being alive ever, etc., but he's definitely solid enough.
i could see a later quest like what the Winchesters did to find Crowley's remains, but they'd spiral down a hole of "where hell did this creature even come from???" and the Men of Letters/Angels/anyone wouldn't know jack about what he even is exactly.
i'm so rusty on SPN though... but those are my cobbled together ideas. I'd place him mid-ish seasons Supernatural (because ive only really seen s4 thru s8...) but i think the 'hijinks' of later seasons could be fun with the seriousness of early, early seasons sprinked in!
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mistfallengw2 · 1 month ago
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Dragon warband (1305 AE, 16-17 years old, at graduation from the fahrar)
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Ardea Dragonblaze - Legionnaire, elementalist Aurelia Goredragon - Ardea's partner, warrior Sidonia Chaindragon - Ardea's older half-sister, guardian Odhran Dragonfly - Obsius's albino twin, mesmer Obsius Dragonprowl - Aurelia's best friend, thief Kouran Dragonheart - the mom friend, engineer Reeva Dragonblast - the one with the joke, engineer-ish Lupita Wilddragon - the quiet one, ranger Rorick Dragonbreath - the Orr nerd, necromancer
Can't believe I had them since late 2017, but years later they finally have a design! Now to draw them around 15 years later, and finish their small refs for their fullbody design... sometimes in the future, gotta catch up on the easy oc-tober challenge first (9 out of 31).
Some trivia from the wip, and some new trivia! - Having just gotten out of the fahrar, they're full of confidence and bravado. Granted, they're quite capable, more than their age shows, but they still have some important growing up to do at this point. - The necklace Ardea wears was made from an amber gem Aurelia found during training when they were younger. She gifted it to her because it was the same color of her eyes and Ardea had it made into a necklace. - When they became official, Ardea started braiding unruly tufts of her mane with locks of Aurelia's (she keeps it short anyway). - Sidonia is not only more buff and tall than most female charr, but she's also extremely fluffy, especially in winter. She doesn't mind it that much, and luckily her sister is always up for helping her out with grooming. - After Rorick, Lupita gets along the most with Obsius and Odhran. One wouldn't say so from how the twins mostly ignore her (she's always quiet anyway), but there's never been a team like them in the fahrar when it comes to kitchen raids and similar nighttime expeditions. - Reeva never really figured out what she wanted to be, which played heavily into her insecurities during the first years in the fahrar. Kouran helped her a lot after she stopped bullying him, and she became a bit of a jack of all trades. While she doesn't like calling herself an engineer, she considers herself a top-tier engineer assistant. - Rorick got quite fucked up during a spell gone wrong, months before he joined the fahrar when he was still figuring out his magic. The result was much uglier and zombie-looking for a while, as the spell had quite literally consumed life force out of his body, with his face and hands having taken the brunt of it, but after lots of healing his skin became just furless and kind of wrinkly (think of a sphynx cat, but less squishy because it is technically all scars). Too bad his fur remained thin and sparse all over, never regaining its full strength.
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chaos-in-deepspace · 1 month ago
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Can't believe I gotta do this, but okay...strap on in guys because this isn't only a rant, but informational. Gonna show you how to clock AI writing, why it's bad, how to abuse AI for writing, and how to prove something was written using a chat bot.
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Have you ever read a fic and had to pause for a moment? Contemplate a few things? You almost feel like a few times you just couldn't figure out. Or perhaps you saw something that just read super awkwardly.
If this describe you reading some fics, then you might've fallen victim to "AI Writers". Yes, that's correct! A writer who uses AI to help them write their fics. Mind you most people when using this method actually use chatbots! So it's not like they just run into ChatGPT, give it a prompt, and then post it. Oh no. They RP it, maybe clean it up a little so it reads more like a fic, and then they post it.
If any of you are use to RPing with Chatbots like Janitor.ai, or even C.ai, then you might occasionally read a fic and realize it's strikingly familiar to chat you read in your own chats. I, for one, dabble in RPing with bots when I get bored, which is how now and days I can read a fic, see certain lines, and just know.
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Now I'm certain I don't need to sit here and explain why this is so bad. However, I'll explain anyways if you'd like to hear my opinion, as well as many other artists and writers:
AI is Plagiarism!
Ya, this is plagiarism. How do you think it's generating responses? Or for artwork, where do you think it's grabbing the images from. It doesn't do it itself. AI is basically giving a program information so it can generate things. A lot of programs that uses AI, as well as websites, uses that written information to generate your responses. You know Google Docs? Ya, it can take information from your writing there. Archive of Our Own? Bingo. Tumblr? Ya, it takes writing from here as well. That means the people who have spent a lot of time on their writing, spending years honing their craft, are having their writing styles and voices stolen from AI in order to make those generated responses. Now when it's just you RPing something, pop off. It's just you and your bot. Share it with a few friends, sure! If you post it online though, those words are a mashup of millions of stories written and posted online. So it's plagiarism. Plain and simple.
2. It sets you back as a writer
Ever wondered why some people can write the most amazing things ever? It's because they wrote. They learned. They practiced. It took time and effort in order to build up those skills. They got there by writing. So how is using AI affecting your writing? Easy, you're not writing. At least...not a lot. If you use a chatbot to write half the things in a fic, you're only doing half the work. You're also bouncing off the idea from your bot and going with it, instead of using your writer brain to figure out how this scene would best be executed. Imagine it like this. Someone uses AI to draw an image for themselves. Then they trace over it, add a few of their own touches, and color it the best they can. Did they suddenly learn how to draw? No. Because they didn't take the time to learn why something is placed like this, how the composition works, etc. Same thing with writing. If you're using AI to do all the work then you aren't learning, and you're not going to be getting better as a writer. If that's the case...why are you writing? It should be a fun experience to write, after all. It should be something you want to get better at. So why are you just having AI do it? Attention? You realize your fics need to be pretty well written to garner attention, right? That brings me to my third point.
3. We can tell...and it's not fun to read
Today a friend showed me an paragraph from a fic he found here on tumblr. I saw it. Without even having to ask I knew it was written by AI. Nobody talks like that except a robot. The wording? Repetitive for AI to use. "Their bond grew with every passing moment." | "Their shared connection." | "His voice was barely above a whisper." | "It was a testament to their relationship." | "He's determined to face this challenge with her, hand in hand, and to make the most out of the second chance he's been given." | "A renewed sense of purpose." | "He's determined to face this challenge with her" If I see these lines, I clock it as Janitor in a heartbeat. Sure, not every time it's used is AI, but those are the most common things I see in every RP with a bot, and I actively need to correct the bots or else they'll use it in every fucking reply. Another thing is...RPs read differently from a fic. They're not made to be read like a narrative story. It's a bot replying to someone, so when you do that things get weird. Not to mention sometimes clothes appear and disappear, a position is changed, etc. It's just not good writing...
4. It's lazy
Simple as that. It's fucking lazy to get AI to write a fic. Trust me, I am one lazy motherfucker. I hate doing things. I want to sleep for literally a solid week. However I made the decision to write things, so I write them. I put in the effort. Other writers who don't use AI? They put in the effort. I know at least 20 people who are depressed as all hell, can barely get out of bed unless it's to go to work, who decided to still write. Not everyone is going to be a fast writer. Not everyone is going to find writing easy. If you're going to commit, though, commit to it. Write it. Don't use AI.
With these points being made, I'm sure you can see why in the writer community, it's frowned upon to use AI as well as bots for your writing...especially when you don't disclose it. I could probably put everything aside if you just said it was written using AI. Honesty is the best policy.
People might not want to read it then, but at least they know that you used AI. At least you admitted to it. Using AI and then passing it off as completely original is disgusting.
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So you clocked something as AI written. You’re pretty freaking sure this was written with a Chatbot. So you plug it into an AI checker and what? No AI detected? No fucking way.
Yes fucking way.
The detectors use a range of things like: Language Model Comparison, Repetitive phrases and structures, contextual awareness, among a few other things. Now look at the "Language Model" part. What if a Chatbot doesn't have the most common language models? It doesn't detect it as easily, that's what.
Where does that leave Chatbots? Well, it means it’s not really checking for things like Janitor or C.ai. A lot of times it flies under the radar because of this. I have found that there is at least one site that doesn’t do this. Instead of more or less checks the context of the text to see if it was written using AI, rather than relying on ai models.
Quillbot
This is what I use to check. I also did run it through some tests. Mind you, not every program is going to be completely accurate. This just happens to, after thorough testing, be the best at being able to tell if a chatbot was used.
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As you can see here, the one on the far left is a fic that I ran through that was my own writing. In the middle I had copy/pasted my own responses, and my bot responses from Janitor. On the far right I pasted only Janitor responses. While it’s not accurate, it could still detect human written from a chat bot!
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In comparison to me running it through other AI Detection softwares (one of them being Grammarly), where they detected nothing in the post that were written by both me, and the bot.
The entire reason I’m even making this post is because I happened to come across a fic that seemed like it was written using AI, so I was curious and ran it through. Mind you, the detection software only lets you paste 1,200 words of the writing, so this was just a snippet. The same size snippets that I had put for all of my own tests. This was the result:
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So we can make a good guess that this was…probably written by AI. If you’re wondering, no. This isn’t a call out post. I won’t be stating the user who I did this. I ask you not to speculate in the notes of this post either. I don’t want to cause unnecessary drama, because honestly the writing community for this fandom already has that.
I will say, to the writers who are using AI, I’m not the only person who will probably get curious. If you’re going to use AI for your writing, at least state it in the description. It’s manipulative and wrong to not state it.
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I know I said AI is bad, but it's also like Thanos. It's inevitable. I fully think we should abuse the hell out of it and make it our bitch. Now how to do that without using it to actually write? Easy.
Force it to give us ideas. Once upon a time I wanted to do some writing, but couldn't think of anything I wanted to write. Sure there's prompt lists out there, but a lot of them didn't fit what I needed. So I grabbed ChatGPT by it's lil grimy throat. I whispered in it's ears "Write me some prompts."
I then took said prompts to jog some ideas in my head, then wrote my own original content. I used AI to help give me a basic idea for my writing and then came up with my own stories. That's a simple way of doing it.
I know people who will RP with a janitor bot because they have a plot in mind for a story, but are uncertain with how they'd want to execute it. So they RP with a bot first, and then once they have an idea, they write a fic based off their RP. They don’t take what the bot said, copy/paste it, then say it’s their fic. They use it as a tool to help them with their ideas. Sometimes if the bot has a really good line, they might take that singular line from it as well. That’s not taking the entire story, it’s just a line that they knew would flow with the fic, and half the time they edit the line as well.
You can also use it for story titles. Can’t come up with a title? Tell ChatGPT the synopsis of your story and then ask it to generate 10 titles for it (actually I just tried to this see the results and am currently laughing my ass off, maybe don't do this).
Don’t forget things like Grammarly. That’s also AI! You can use it to check your grammar and fix awkward wording in your writing.
There’s ways a writer can use AI as a tool. In my opinion, it’s no different from an artist using the symmetry tool for their art. Or using a 3D model to help them make a pose for a drawing in their program. It’s a tool that should be used to help and improve your own content.
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shirecorn · 11 months ago
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Your reindeer designs give me such childish joy I can't wait to see the rest. What's your process (aka any advice) for designing from scratch with something like just a name or concept?
Redbubble (buy reindeer swag) || Patreon (see all early!) || Ko-fi
See more free tutorials!
You can see my process unfold in real time by joining any tier of my patreon discord. Which doesn't even have to go through patreon! If you want, you can just pay me $20 and let you in for a year (and then lose track and probably keep you anyway)
Here's a preview using comet! (nevermind the preview thing I wrote you a whole lecture lol)
initial sketches in 2021:
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Revisited in 2022 and 2023
I was constantly asking which design was the weakest, why, and how to fix it. Whenever I tested without the magical comet behind it, people could only guess who comet was by process of elimination.
I didn't want to rely on throwing icons into the design. I wanted each one to communicate through shape and silhouette alone. It would be like drawing a little cherub with a bow and arrow floating along with cupid. If you have to include a nametag to communicate, your design can be improved.
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So I tried a few different strategies to say "comet" before I realized I could twist the antlers into any shape I wanted. I was worried I would have to discard the drawing and restart from scratch! Which is what I did for rudolph about 6 times before I had a breakthrough.
Then I gave my patrons a brief lesson in antlers to explain where and why I was placing the tines. When I stray from the caribou structure, I do so knowingly in order to achieve something that cannot be achieved within the caribou shape, like dancer's tutu. Know the rules before you break them. My goal is to make animal nerds (myself chief among them) happy when they see species-specific anatomy instead of cop outs.
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I tried a few things before figuring out antlers could become comet
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Another thing that often caribou have is an unsymmetrical "spork" that comes forward off only one antler. I figured this out by looking at hundreds of reindeer pictures and saving them to my reference folder. A few of my designs have this, that's what the little spiral is in the final comet antler design.
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When I put comet in my lineup, I realized that the antlers I drew were way more stylized, chunky, and "tribal" than the others. I had already changed the proportions on one of my designs to match, so then I had to hack away at the basic comet rack to make it look natural.
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I already knew that comet's colors would be easy because a basic reindeer already Has the big comet on the shoulder. But here's a peak at all the reindeer images I posted for my patrons to look at.
As you can see below, I chose reindeer markings for all my designs instead of other deer or animals. Even vixen is tied to actually possible reindeer patterns rather than copy-pasting a fox. Almost all of my designs have light-colored anklets on dark colored legs, which is very common with caribou of any color. This is the sort of thing no one tells you; you have to observe it yourself.
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Ft cupid's early design! I was continually testing out my reindeer silhouettes and colors on new people, taking their feedback, and fixing what wasn't clicking.
I know I could have made vixen sexy and curvy to play into a recognizable trope, but I really wanted them to be scary and fox-like. Sometimes you gotta do what you want and not what you think will appeal to audiences. Reindeer Days is a purposeful exercise in audience resonance. Most of my art is 100% me and what I feel like doing with no regards to anyone else. So it was a fun challenge!
My patrons also got to see me making fun of corporate designs for recognizably/cliches at the expense of literally anything good
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One of these is going to get a lot more "that must be vixen!" results from people who aren't constantly thinking about animal colors, markings, hunting strategies, and teeth.
And one rocks.
Vixen changed the least from the initial 2021 concept!
A Vixen is a female fox. In english slang, it means a cunning, fierce human woman, and sometimes sexually attractive or promiscuous. Quite often an insult to someone because she won't date you!
But to me, a vixen is an animal. A predator.
When designing to reference something, I like to hit it at multiple angles, referencing obscure trivia about something to delight and educate. This is done by researching a topic deeply, far below surface level and beyond what you think you need to make your design. Or in my case its just knowing a bunch of animal trivia already.
After researching/dredging your knowledge, sit there and Think. Don't draw anything. Come up with several ideas and then throw them all in at once for the ultimate trivia design.
Trivia about red foxes:
They have Long bushy tails
They have teeth that include large sharp canines, flat incisors, triangular premolars, and chunky molars with points on them that slide scissor-like with the molars above to cut meat via chewing
They hunt rodents in burrows under the snow by jumping into the air, arcing, and slamming down with their face through the snow
They are orange
They have a dark vertical stripe on their snout
They have black legs, with the backs and bottoms being orange
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Translated into the design:
Pose based on a fox jumping, about to land in the snow
Antlers twisted to resemble teeth
Long (for a reindeer) bushy tail
black mark on snout
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Some adjustment to the pose to be at the top of the arc and flow better.
Tinkering with the design to make it recognizable but not 100% copypasta fox
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I was finally happy with a design that absolutely showed "fox" while still being creative and plausibly caribou shaped. This would absolutely communicate who it is! I thought!
The most obvious one of the bunch! After all, everyone knows what a vixen is!
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Nope! No they do not
Want to be part of the design process, help me with WIPs months before everyone else, see exclusive doodles every day, and join a funky little community?
(you also get to see photos of my dog)
Connect your discord to your patreon and join any tier to automatically get added to the server. Not a fan of patreon or monthly subscriptions? message me here, on ko-fi, or via email (shirecorn.art@ gmail.com) and ask if you can pay $20 to get put in the server for at least a year and longer if we work it out later!
This was supposed to be a preview to get you to pay me but instead I wrote an entire lecture for free because I can't help myself.
Want to thank me for the free info? Tag me when you use what you learned! Comment and give feedback! If I could pay rent with attention I would never need anything else in life.
You can also thank me by tipping my ko-fi! I use it to buy pens since I die if I have caffeine. But could you imagine??
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attyrocious · 10 months ago
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cross posting yesterday's rambling thread for posterity and because tumblr lets me edit things. anyway this is a sorta long thing and i might add things i forgot to mention in the twt thread
i tend to draw on-model canon because im a coward + just personal preferences. but the way i convert the canon designs into my artstyle is that i take the distinct features oda gives them and then combine it with personal headcanons to complete what should look like a unique human. Starting with Trafalgar Law, who is unfortunately a bland-ass conventionally pretty boy
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someone commented a while ago the law hat drawing tutorial i made a while ago didn't make much sense and i realize its bc of the specific way i draw law's face: heart shaped (ba-dum-tss). That meaning, a narrow chin widening into a mild defined jaw, wide cheekbones, and up to his know-it-all brain dome.
given that, the pudgy guitar pick shape of his head i mentioned here should make a lot more sense.
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i don't think this design point is unique to me, as most conventional pretty anime boy gets given jaws like this. a lot of law artists tend to veer into this head shape. just how life be sometimes. other points: flat, thick eyebrows is bc im a hairy gal and i need to feel better about myself.
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Killer gets to be more interesting, because he shouldn't be considered conventionally attractive. my idea behind killer's is that those individual features is smth he would be insecure with enough to hide himself in a helmet but i draw him with all the love in the world actually. i'd like to think its how kid sees him or yknow, law, bc he's my kin assigned blorbo and maybe you ship lawkill as a guilty pleasure too i mentioned before (and ruined people's days) when i said whenever i draw killer he looks like griffith before i put on his goatee. the upper half of his face is distinctly feminine, with the lower half kinda over compensating. other than that uhh...idk. stan killer
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Kidd is the bane of my existence, i feel like i can never draw his face consistently. yet at the same time he's so damn fun to draw everyone gotta try it.
my problem with kidd is that this mf does have eyelids. most kidd painters out there interpret this as him having deep set eyes (think Matt Smith or jeffrey star) . and yeh skill issue on me i should practice that. other notes, i try to make him younger than canon makes him look. he is my babygirl and he deserves to look cuddly. my band au kidd version has the honor of being allowed some chubs. he's just tries to look older and more menacing with edgy makeup. also i try to give him dimples when i can because, well i can.
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Rosinante last bc i lost steam after kidd. the thing abt cora is that aside from not having eyebrows, everything is structured with the generic one piece man template. which means i gotta do everything myself doffy is there bc the way to figure out how to draw these two is to give them minor differences from each other, that being doffy gets slightly sharper features. in canon, these two are also rly wide boys (more of an oda style feat tbh) but i make them long. though bigger brained donquixote artists know that of these two brothers, doffy should be the wiry-er built. anyway that's it. in conclusion, i need to draw more girls actually i feel like im becoming misogynistic by osmosis from oda's style and now i draw girls all looking the same too.
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improvapocalyps · 3 months ago
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"Okay, yeah. If you kill a red name, killed a red name-" "I'll give you a life for that. That's the deal." "We'll be back together like buddies again, Bdubs."
In participation of Extreme Timed Challenge Gift Exchange hosted by @extremetimedchallengeexchange!
[gifs, full storyboard, behind-the-scene rambles under cut]
past 48h animatics: MCYTETC2023, ETC2023
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[Red Lives-Suspicion; Prayer-Determination; Fireworks]
Fiddled with gradient maps this time for some additional colors :D I would have colored in the eyes as well, but I didn't have enough energy left when the event hit the 47th hour xD
Also played around with camera movements. Respect to people who do fan edits and other forms of video/ assets editing 'cause keyframes are so 😭
13 hours to draft storyboard this time! Last year I used 16 but with waaay more frames idk how I accomplished that. Probably bc this year I'm drawing more than three(3) characters lmao
Progress Timeline:
[13th hour] finished storyboard/ draft (plany off time...) [25th hour] lineart for the first 10 seconds (wuh oh) [36th hour] lineart for the first 25 seconds (oh shit oh fuck gotta shorten it) [45th hour] finished Bdubs' part (NOOO I DONT HAVE TIME FOR ETHO)
ngl kinda glad i cut it in half rn 'cause i'd have to spend time figuring out shadowDog's design /lh
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Designs I used for Lizzie and Joel (old art from 2022 and 2021 respectively) (holy shit i've been here for 3 years???)
Joel *shakes fist* i hate u and ur stupid beard
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[Lyrics vibe/scene planning; hours before disaster]
I think most of the drawn parts didn't deviate from the initial idea. Mostly timing adjustments and building upon the vibes. The parts that were changed the most was the "And you caused it (×3 combo)".
Went from "vague flashbacks" to "following Etho and co. out of the cave and back to Scott's base while implying who Etho blames with single character focus shots".
The first one is Scott because he suggested the idea. Like, obviously he's to blame. It's not like Etho went along and cemented the deal himself. Scott totally peer-pressured him into it.
The second one is Etho because... well the scene ends up kind of being like. The sight of the Snow Fortress triggering a flashback. (EthosLab the content creator deliberately turned his camera towards the Snow Fortress and holds it there for a second instead of looking at the huge lava pillar right in front of him. What is WRONG with him.)
But also like. Clocks are kind of special to Bdubs right. Whoever gave him a clock basically has his (temporary) loyalty or at the least earned a favor from him. So like. If he hadn't gifted Bdubs the clock, which signifies a closer(?) bond, maybe Bdubs wouldn't be so devoted to him (wrong). Also serves as a call-back/ reference to the "Prayer-Determination" shot ("pray with clock" in the scene planning screenshot). I like to think that Bdubs weighted his options and thought about "if he will kill/ who to kill" a lot while following the other Red Names. And in that scene he's like, convincing/ motivating himself. Remembering who/ what he's doing this for.
(It is also meant to be part of my giftee's other prompt: "an exploration of the doubt one or both of them felt during the heart transfer that didn’t happen after Bdubs killed Lizzie, and the following guilt Etho felt." The Etho section starting from "we're setting fire to our inside for fun" til the end of the animatic is based on that prompt.)
After a brief period of self-blame, it's time to shift it onto someone else! Because you're in denial! If Bdubs hadn't gone red, then Etho wouldn't have to offer the deal. If Bdubs hadn't want to stay as teammates, then he wouldn't agree to the deal. If Bdubs wasn't so devoted to Etho, then he wouldn't have attacked Lizzie and gotten himself killed.
Then the animatic ends with the end of the session :D
...That's longer than I expected but also not that long. If you read through all that, tysm :] Tell me your thoughts! Have a good day/ evening/ night :D
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